Archive for the ‘Painting’ Category

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Tyler Mueninch

September 30, 2008

[Minor time update below for those thinking about stopping by].

It’s been really hectic here at the IHC with board retreats and new projects underway and a slew of new grant awards (more on that later) but I’m fast running out of time to clue you in on a pretty cool event with IDADA’s First Fridays this week.

Tyler Mueninch, who I’ve written about before, will be having a full exhibition at the Harrison Center for the Arts. The exhibition is called “bristled.” As the author himself says,

This series originated in my father’s studio, where we made paint brushes and other handmade tools. About halfway through the work I was doing for a show last October he showed me how to make some of my own brushes and encouraged me to use them on my paintings. This body of work is the result of some of that work.  Many times the brushes are the subject, in a kind of ambiguous space. The handmade brushes were an exciting way for me to work outside of my own set of rules.

The Harrison Center is at 1505 N. Delaware Street in Indianapolis historic Old Northside Neighborhood. Do you know what’s right across the street? The home of Meredith Nicholson, a.k.a. The Indiana Humanities Council offices, which will be open for visitors from 5pm-7pm and we too have Mueninch’s work on display. So, if you like what you see at the Harrison Center, feel free to pop over our way and see more before you head on down to the other galleries.

The Harrison Center will be open from 6pm-9pm for the exhibition.

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Tyler Mueninch Art Exhibition at IHC Office

August 27, 2008

This announcement is a long time in coming but Tyler Mueninch, an Indianapolis-based artist (painter to be specific) became on June 6, 2008, the first artist to have his work displayed here at the Indiana Humanities Council office (the historic home of Meredith Nicholson).

Check out a slideshow I made of the displayed works (along with some carefully chosen words by yours truly) here.

My favorite piece is included below.

Unfortunately I do not have names of pieces, however, if you email me, I can give you prices (and sizes).

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Una Herencia Mexicana: Otra Vez

June 9, 2008

A few weeks back Robyn Fink from Purdue’s student newspaper, The Exponent, contacted the Indiana Humanities Council to comment on the Mexican Art exhibit in Lafayette (Una Herencia Mexicana). I gave her about two pages of me blabbing away and, skilled reporter that she is, she was able to condense said babbling down to my three most cogent sentences.

You can read her piece here. It’s a little old now but the exhibit runs until August 22nd so it’s still relevant. More importantly of course, you might want to see this exhibit because some people think it might be pretty darn neat.

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Una Herencia Mexicana: Mexican Modernist Art

April 2, 2008

I have wasted the past few days fretting over what should be the inaugural post on Hoosierati. Since I live in Indianapolis it is easy to come by humanities-related events here. But too many people already think that Indiana is really just Indianapolis and I wouldn’t want to to encourage this narrow view of the Hoosierscape. While it’s true that the Indianapolis culture scene has representatives of all the major forms, modes, styles, genres, eras, etc, it by no means holds a monopoly on it.


Beginning on May 16 and continuing on through August 22, the Art Museum of Greater Lafayette in conjunction with the Purdue University Galleries will be presenting Una Herencia Mexicana, an exhibition of Modernist Mexican art.

I’m particularly fond of this as a first posting here, not because I have anything shimmering to say on the subject but because this one event showcases so many of the aspects of the humanities.

It’s art. That’s almost impossible to ignore. And while art is “art” and not “humanities” in strictly congressional senses of the words, an exhibition of art is more than the art itself. An exhibition is by nature commentary about art, about its importance and about other works and artists with which each piece is in conversation. Exhibitions are made up of pieces chosen around a guiding theme which almost inevitably leads to a defining statement.

Sometimes the message is nothing more than, “This art is important,” while leaving it up to the viewer to find out why. Sometimes, as in this case, the message is deeper, as the Art Museum says on their website about the exhibition:

Mexican artists of the 1920’s through the 1950’s had a huge impact on art throughout the Americas. They sought to create imagery of relevance to the Mexican people and move away from the avant-garde abstraction of the time.

Thus this exhibition, in addition to being “art,” is also “history.” Modernism is an important moment in the history of art, and while artists may still incorporate fundamentally Modernists principles or concepts into their work, as a movement Modernism was an artistic response to a certain time and, in this case, place. That time-place was Mexico after the Revolution but before social, political, and economic realities first began aligning themselves with the notions that the revolution was fought for.

In that sense, this particular exhibit is also sociology, political science, and the more humanist side of economics.

This exhibit is also multi-cultural and multi-ethnic.

If the study of art is important in understanding a culture, and I don’t think I would be alone in arguing that it is, there was probably an Indiana once where it wasn’t very important to understand the art of Mexico. That Indiana is part of the past now. A recent Sagamore report documents startling double-digit growth of Hispanic immigrants in Indiana. In some places Hispanics (and most of them are from Mexico) now make up 25% of the population. In other places it’s as low as 4% but even that is a substantial number considering where we were just seven or eight years ago. The art of Mexico is very quickly becoming a fully integrated part of the American art narrative.

More importantly the paintings of this era document political ideas that are still very much a part of the Mexican psyche. Some, like equality, anger over abuses of power, courage, sacrifice for one’s values, legitimate representation in government, are ideas that all American citizens will find familiar. Others, like the level of anger, the depth of despair, the stark and forthright acceptance of death as a part of life, are alien and possibly intimidating. But as clues to the Mexican psyche they are helpful in setting the stage for future conversations about and, more importantly, with new Americans.

Sidenote: I have no idea whether or not the painting in this post, “Zapata” by José Clemente Orozco, will be a part of Una Herencia Mexicana. I simply like it a lot and think it displays some of the things I’m talking about here: Mexican art history, Mexican political history, and Modernist art. This painting, if it is a part of the exhibit is making a short trip from its usual home at the Art Institute of Chicago.

Museum hours and address are:

Tuesday through Saturday: 11am – 4pm
Closed Sunday and Monday

102 South Tenth Street
Lafayette, IN 47905
(765) 742-1128
Fax: (765) 742-1120

This entry was posted by: Jim